This ethereal piece with synthesizer has an Asian mystic feel. I like the slow pace of it and the depth of the low notes, contrasted by the Asian style string lead that comes in during the second iteration. This one always reminds me a bit of the music of Vangelis – especially off the “China” album.
Haunting synthesizer piece and my current “theme song.” I don’t know, I just find this recording mesmerizing with its strange reflective melancholy yet uplifting combinations of sounds. This is a concept piece. It is made of three simple tracks – piano, bass woodwind, and strings. The design is intended to have the indistinct bass rise gradually in volume over the course of the entire recording until it eventually obscures the other two tracks, making the whole thing “muddy” and hence the title, “Murkey” as if recorded in a Murky Key.
Text from when this song was written several years ago:
I wrote this piece while my daughter’s father-in-law was on the verge of succumbing to a six month battle with a particularly virulent cancer. He was a kind and gentle man, always in good cheer, inclusive, and engaging. His troubles began when he was putting on his sock one day and his leg broke from the pressure. Turns out it was a tumor just below the knee. The first operation scooped it out, but didn’t get it all. A second operation attempted to stop internal bleeding at the site. A third operation took his leg at the hip because the cancer in it had become too painful to bear. A month later, it had spread throughout his system. He went into hospice treatment at home, fell into fearful deleirum for a couple of weeks and died last night, the day after I wrote this song. While I didn’t specifically create it for or about him, I know he was in my mind when I wrote it, and so I dedicate this one to him.